Harare, March 20th 2016 | Elizabeth Zaza Mushemwa

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From January 2016 to March 2016 Almasi presented Zimbabwean playwrights in the process of developing their plays; a platform for them to receive feedback on their works in progress through a series of writers’ dialogues. Plays from participating playwrights were read by local actors to a small invited audience. Fashioned after the play development process from the Almasi African Playwrights Festival, the dialogue gave the playwrights meaningful feedback from the audience and the actors who took part in the staged readings. In return, the playwrights also interacted with the audience by asking them questions and talking about their writing processes. Through these dialogues they were able to get an understanding of what worked in their plays and what needed to be worked on.


In January 2016, Gideon Jeph Wabvuta and Thandiwe Nyamasvisva took part in the first writers’ dialogue which was moderated by Elizabeth Zaza Muchemwa at the Zimbabwe German Society.

Gideon’s play “Family Riots” is a family drama set in 90s Zimbabwe at a time when the infamous food riots were about to take place. For Gideon, the process was helpful and gave him enough feedback to take on the task of writing another draft of the play.

Thandiwe’s play “33 cents” is about how everything is connected. She is going to use the feedback she received from the dialogue to fine tune one or two issues she had been having trouble settling in previous drafts.


The second writers’ dialogue Almasi presented was on the 22 February at the Zimbabwe German Society. Privilege Gwaba and Rudo Sheron Mutangadura participated, with Gideon Jeph Wabvuta moderating.

Privilege’s play’s focus is on the lengths that women go to in order to have children.
The audience found the dialogue appealing, the issues in the play relevant, and the storyline interesting. However, they found the setting to be unclear, the plot not believable and they felt that the play was saying that all women are flawed. They thought the play has a lot of potential and if she were to work more on it, it could be a powerful piece.

Rudo’s play is about the politics of food and how a family tries to figure out how they can minimize the amount of food they consume. The play’s idea came from a story she heard in a hair saloon. The audience found the form of the play interesting, the characters believable and the setting very clear. Rudo always has a writing pad on her which she uses to record things that interest her: be it a line in a book or a conversation in a Kombi or on the street. When she writes she picks up from these things. The play is still at an early development stage and she will keep working on it.


On the 7th of March, Almasi hosted another writers’ dialogue with Gerald Mhuri, a University of Zimbabwe student, participating and Gideon Jeph Wabvuta moderating. This session began with a very interesting discussion on African playwrights and their impact on the global market. When asked to name 10 African playwrights whose work has been staged and published, the people who were in attendance struggled to put together a complete list of 10 known African playwrights. It was therefore appreciated that it is important to keep on developing Zimbabwean voices.

Gerald Mhuri’s play “47” is about succession battles that ensue when the old leader of an ancient kingdom gets sick and falls into a coma. Gerald set out to write something that was set in the 19th century and he wanted to write a story that is based around a complicated situation. He believes that we are not entirely in control of our lives; there are other forces in control. This is what he attempts to explore in his play.

The audience found the language of the play interesting and liked that it had a distinctly African setting. They were also interested to find out how Gerald, as he develops his play further, will maintain the highs and the lows of the conflicts in the play. Gerald is going to use the feedback he received to develop the play to full length.


On the 14th of March 2016, Almasi presented the fourth writers’ dialogue at the Zimbabwe German Society. The session was moderated by Gideon Jeph Wabvuta, with Lewis Mukandatsama participating.

Lewis’ play is drawn from his experiences growing up in a middle-class family.
While the audience thought that the play was good with monologues that are very grounded, they found the setting unclear and the action taking place in too many places. As he develops the play further, Lewis will have to figure out what the stakes are for all of the characters, and in the writing earn some of what takes place in the play.

The Writers Dialogue is part of Almasi’s Capacity Building of Dramatic Artists’ Project supported by The Culture Fund of Zimbabwe Trust in partnership with Sida and Danida.


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